SHANTERTAINMENT

My Musings on ... Television > Movies > Pop Culture ... and anything else that matters.

Movie Review Haiku

The Wrestler

Devastating, Rourke.

Breaks your heart and makes you cringe.

More impact than most.

 

He's Just Not That Into You

All you will find are

Cliches and embarrassment.

Love this kinda crap.

 

Milk

Story hits the heart.

Relevant but a little

history lessonish.


Slumdog Millionaire

Exhilerating.

Music and fast cuts make this

Seem like a wild ride.

 

The Curious Case of Benjamin Button

A movie almost

As long as his life story.

Pretty but no love.

 

Doubt

ACTORS! take the stage.

Pompous with no small gestures.

Too bad, potential.

 

 

Comments (0)

Reality Really Does Bite

RealitybitesIn college there were a couple of movies that got played on my roommate and I’s TV over and over and over again. And while Point Break never loses it charm, I’m afraid Reality Bites isn’t holding up very well. I’m the first to admit it was always flawed and featured way too much pontificating, but the great lines and Ethan Hawke  “All I Want is You” lovefest made it a bit of a masterpiece. Unfortunately I recently stumbled upon Reality Bites on a Saturday night, and the results weren’t pure joy.

At first I thought that it was just dated, because let’s face it, the clothes and pop culture reference were jarringly 90s. But unfortunately it’s more than that.

Winona -- First off, Winona Ryder is really irritating. I don’t think that it has always been so, but I’m not committed enough to do the deeper research required to decide. (If anyone else wants to take on a 90s Netflix night of Mermaids, Dracula and Welcome Home Roxy Carmichael, go for it.) But in Reality Bites, she’s got this quirky delivery and her line readings fall totally flat. Like maybe things are supposed to be jokes but aren’t? She’s kind of bad.

The Whining -- Beyond Winona, all these characters are really irritating. In between all the funny quotable Reality bites3lines is this angsty drama that’s super lame. I mean maybe it is just me, but I don’t remember looking longingly into the sky because I was so worried about AIDS throughout 1993.  And while I was saddened of Robert Reed’s death, his dying of AIDS didn’t signify the end of my innocence like it seemingly did for this melodramatic group of idiots. And it’s not just the AIDS worry. It’s the whiny what am I going to do with my life of it all that, on the other side of 30, I have zero patience for.  About five minutes in I wanted to shake all of these people and tell them to get a fucking job and quit their complaining. (The whole portrayal of post-college ambivalence was really embarrassing to me. God forbid some future generation rents this movie and thinks it represents my youth.)  The stealing of the dad’s gas card money no longer seems clever. It seems like a spoiled little brat move by someone who was too entitled to take a job at the Gap. It didn’t just annoy me, it pissed me off. And then feeling this way…well it made me feel very old and uncool. And I was watching TBS all alone on a Saturday night. I didn’t need more help in that department.

Troy -- But that isn’t even the most disappointing thing about re-watching Reality Bites.  The worst part is that I’m so far on the other side I can no longer even SEE the appeal of Ethan Hawke’s Troy. (I say Troy, because as a lover of Before Sunrise and even more, Before Sunset, I still get why we had it for Ethan in general.) But TROY – Troy is the guy you dated that was so cool back then, but now you look back and just can’t understand what you were thinking. The greasy hair, the too-cool-to-shower, condescending I’m smart because I’m literary, I don’t need a real job and in fact will Reality bites 2 continue to get fired for stealing snickers because I’m such a rebel guy. What then was intriguing and hot, now just screams LOSER at the top of its lungs. The Other Guy in this scenario of course is Ben Stiller’s Michael, who’s positioned as sell-out corporate schmuck because he has a nice car, can afford plane tickets and has a real job – but listens to crappy music. Was that what we were supposed to think? Because all I thought was, this guy’s got it together, and every diatribe against him and his actual JOB makes this Troy character even less appealing. I know – that was the point of the movie: smart choice versus dumb one but it is what’s in your heart matters etc. But I don’t buy it. I just don’t buy for one second that anyone would choose Troy, who again, wasn’t that cute because he probably SMELLED and – oh by the way – was also a total dick, over Michael. Or that I would have actually rooted for her to choose Troy. But I know I did back in the olden days of loving this movie. 

I know, I’m being pretty hard on the movie and there are still some great things about it. Steve Zahn, PFLAG, “All I Want is You,” In Your Face TV, and even David Spade, etc.…but I’ll never watch it and love it again, except with nostalgia for the younger me that wouldn’t have been mad at the slackers for calling the psychic friends network and then charging it to daddy. That kind of makes me sad.

Comments (3)

Oscar Thoughts, Etc.

Despite despising Superbad and not getting Rhianna, I’m kind of enjoying getting older. For one thing, I like the Oscars a lot more than I used to because I no longer have false expectations of excitement. I know exactly what I’m going to get. And as a result, I’m pretty happy when I get it. Take last night, for example. I thought it was just fine. Sure, it was long with too many performances and ridiculous award show dialogue, but when I settled in for a night in front of the TV, I knew that was coming. I guess my review can be boiled down to one fact – I was not disappointed.

Jon Stewart was fine. The monologue was pretty much acid free and as a result, a little boring, but there were some chuckles in there. It’s worth mentioning that the monologue didn’t feature one sure fire, home run hit joke, and that’s too bad. But he kept it short. And he didn’t sing. (And although no part of me wants Billy Crystal back for any reason, I’d like to see him do a song and dance number about No Country for Old Men and There Will Be Blood. Not exactly song and dance material, are they?) Where I thought Jon Stewart was excellent was in the in-between throw away quips. He really made me laugh a few times, and without trying too hard at it. The most work went into the pregnancy joke that resulted in Angelina winning a baby – and it was all of 45 seconds. He was likable and quick. And for that I gave him a solid B. UNTIL he brought out that best song winner to let her “have her moment” and say her thanks. It made me cry. B+.

One thing I will complain about is the songs. I know the show was handicapped by having three nominees from Enchanted, but who cares about fairness at this point? I’d wrap the three of those songs into one jumbled montage and get it over with. I’d also can the dancers and let Amy Adams sing everything – she has more charm in her little finger than Kristin Chenowith in her whole four foot frame. Then you have three numbers TOTAL – all very different and actually kind of entertaining. Voila! Problem solved.

The montages were hit and miss. LOVED the winners through the years montages and the overall 80 years looking back. I also enjoyed the “binoculars” and “bad dream” joke montages. But the segment on how the voting goes was elementary and embarrassing. (But nice logo placement PWC. Give that marketing person a raise, stat!)

As for the winners – this was a bad year for movies. It’s not that any one of these people shouldn’t have won, it’s just that who cares if they did or not. I can’t argue with the fact that No Country for Old Men was the best of those movies – or even all movies. It was amazing and affecting and scary and had one of the best villains of all time. But I sure don’t ever want to see it again. And I sure can’t say I “loved” it. It’s the kind of movie that – had there been a Shakespeare in Love to lose to, it would have. Because I don’t know how you can connect emotionally to a movie like No Country for Old Men. (For the record, I think There Will Be Blood even worse in that connection aspect; Atonement was pretty to look at but light on the emotional consequence; Michael Clayton was standard issue corporate intrigue; and Juno came really close to getting smooshed by it’s own hipness.)

If nothing else, I was very excited that the show gave us a few surprise winners. During the last few years, the whole Oscar season has made everything such a foregone conclusion that I was really happy to see Tilda Swinton and Marion Cotillard if for no other reason than I was starting to think I’d never live to see another surprise winner. (Adrian Brody seems so long ago, no?) And I wouldn’t begin to argue with Daniel Day Lewis or Javier Bardem. In both cases, I may not have gotten their characters completely, but I won’t forget them that is for sure.

OK, enough pontificating – onto the stuff that really matters.

Best Dressed – Amy Ryan was perfection in navy pleats, perfectly tailored and perfectly fitting; Cameron Diaz wore something absolutely perfectly suited to her body – it created hips on her that would have made anyone else in the world look like a total fat ass, but worked on her stick figure and made her look hourglassy.

Best Dressed (Red Edition) – So much fabulousness in red. Miley Cyrus. Who knew, right? Those little cap sleeves were totally age appropriate and sexy at the same time. It fit her like a glove and she looked comfortable in it. And the shade of red was perfect. I loved those sleeves so much I’m not even going to bitch about the earrings being a too dark shade of garnet because they were fabulous on their own. All the other ladies in red were gorgeous, but not perfect. Anne Hathaway’s dress just had one too many accoutrement to it. Either the sash or the gathered skirt or the big old sleeve…you know? Heidi Klum and Katherine Heigl went and distracted from absolutely perfect in every way bright red dresses – that I will covet forever and ever – with horrible hair dos. Heidi’s bouffant and Katherine’s 1993 perm look were unforgiveable mistakes.

Worst Dressed – Surely Rebecca Miller is an obvious choice. But too obvious, and who cares about her anyway. Tilda Swinton? She’s a quirky bird, she gets a pass. Nope – the absolute worst had to be Jennifer Hudson. A plus sized girl wearing WHITE! With CUT OUTS! And LEOPARD trim! It’s like she’s never even seen the “how to dress your pear shape” article that appears EVERY month in EVERY women’s magazine. And frankly – the cut outs weren’t just like an unflattering thing to wear. They exposed – into the world, for all the photographers to flash away at – back fat. This is the Oscars. There is no place for back fat. Do we really have to spell that out???

Best Overall Look – I am not a poet or a painter or a songwriter or even a very good blogger. But I have a feeling that Marion Cotillard – and her flawless look last night – is the kind of look that inspires statues and ships to be built in her honor. Or at least will inspire a lot of creepy sketches of her. Simply perfect in every way.

Most Likely to Have Thrown Hot Coffee at her Publicist – Katherine Heigl – after realizing that she was set to walk out right after Anne Hathaway, who also was sporting a floor length red number with one shoulder.

Most Disappointing – Ellen Page. This is what happens when one doesn’t understand that they won’t be 21 forever. That they won’t be nominated for the Oscars every year. And that slow dancing with Jason Bateman in a basement isn’t everyone’s day job. She totally blew it and made it seem like she didn’t care at all. I get it Ellen – you’re a regular girl, you don’t care about all this jazz. But you had the opportunity to sex it up, act your age, and show everyone that you could be more than a wee teen-acting girl. And instead you wore that fucking moo-moo and had your bestie come over and curl your hair while you were hungover. You probably even stopped at McD’s on the way to the ceremony for some more grease. And look – I’m not supporting a starve for three weeks, get colonics daily pre-awards show itinerary. But how about just staying away from the soy sauce and booze for a day or two? Her face was so swollen we didn’t need to hear that it had been her 21st birthday this week – we could see it. I know that look. I wore it through college and for a few good years after. I hate the pictures of my time in that phase – and mine were never in People Magazine. You blew it, kid.

So Close But Yet So Far – Helen Mirren and those weird lace sleeves – why not a pretty red wrap, or just more red satin to cover the arms? Cate Blanchett and the halter strap that was better suited for a commune visit than the Academy Awards.

As

Coco

Chanel Said – Julie Christie should have taken off the gloves before leaving the house. Other than that, she was a gorgeous older lady who made Helen Mirren look downright dowdy (Helen’s sleeves didn’t help.)

Best Jewelry – Jennifer Garner’s necklace was mesmerizing and the cuff bracelets will be the subject of many of my future daydreams.

Worst Jewelry – Nicole Kidman. Are those necklaces supposed to distract us from the lips? Because we can see them, and we know they aren’t quite normal. (So I take it botox is bad for fetuses, but collagen isn’t??)

Worst Hair – Jennifer Garner made me want to lick my palm and brush her bangs back like my mother used to do to me. Gross, I know. But deserved. Calista Flockhart wavy pony tail and fly away business confused me. Siorse Ronan’s pony tail was pulling her face back in a painful way. Colin Farrell needs a serious wash. But none was as bad as John Travolta and his pointy Vulcan spray on don’t.

Best Hair – Lots of good hair on the red carpet. Amy Ryan up do and clips were great. Also liked Amy Adams and her long waves.

Worst Overall Look – Renee Zellweger. It’s not the haircut per se. It’s the constant touching of the hair which indicates she hates the haircut. It’s the decision to forego makeup. And it’s the fact that the lack of makeup and unstyled pixie cut didn’t go at all with the generic glamour barbie dress she was sporting. Picture the haircut with a sleek black dress, maybe a high neckline, sleeveless, plunging back. All of a sudden the blond pixie is an accessory and not a disaster.

Worst Trend – FEATHERS. Penelope Cruz showed up in them, again! She basically wore the same damn dress she did last time, which people loved but I hated in the pale nude/pink and feathers. This time it was black. But still feathers. Jen Garner was sporting a few on her hot mess of a train too. And Jessica Alba stuffed some down her cleavage for no good reason.

Another trend I hate–not going with/being with your husband/boyfriend on the red carpet. Damn you Us Weekly for your behavior which has resulted in us never ever ever getting a picture of Ben and Jen together.

Best Trend – Red. I know it’s probably over as soon as it began, but I love that the color scheme on the carpet made all the prognosticators look like douches. Last week everyone was on TV predicting it would be all about Coral! Gold! Bright Greens! Or …. maybe not.

Most Cliché Outfit – Diablo Cody. No one would expect leopard print with a trashy slit on a former stripper.

Best Reason to Avoid Tattoos, Just in Case – Also, Diablo Cody.

Best Dressed Man – George Clooney. Hands down.

Most Improved Man – Philip Seymour Hoffman.

Worst Man – Why do I still expect more of Colin Farrell?

Best Pimping Out on the Carpet - Amy Adams, not nominated, was interviewed for hours by everyone, and she was perfectly charming in every way. Add in her performance in the first 15 minutes PLUS a presenting spot, and I bet her Q rating got way more of a bump last night than when she actually was an Oscar nominee.

Presenter That Made Me Most Nervous – Owen Wilson. I just don’t know if public speaking in front of 1 billion people is the best way to reintroduce yourself to society. What if something went wrong to send him into another depression spiral? There was another one making me nervous also – the stupid fat boys from Knocked Up and Superbad. I just kept thinking that Dame Judy Dench was watching somewhere, and, why be mean?

The Neve

Campbell

Award for Worst Presenter – Not that I wouldn’t be nervous, but Katherine Heigl was beyond. Or maybe she was shaking with rage from the following Anne Hathaway in a similar dress thing?

Best Solo Presenter – That Miley Cyrus is really winning me over.

Best Presenting Duo – Josh Brolin and James McEvoy. I don’t get why they were put together, but they did a great job. I especially loved Josh apologizing to Jack for the terrible impression of him.

The Julia Roberts “It’s All About Me!” Award – Tom Hanks, nodding to people in the audience all “hi Jack” “what up George” with little to no irony.

Best Acceptance Schtick – I loved Tilda Swinton’s making fun of George Clooney. Anyone can thank George. Mocking him makes you seem like you’re really in with the in crowd. Also loved Javier Bardem and the Spanish business.

Worst Acceptance Schtick ­– Daniel Day Lewis bending to Helen Mirren to be “knighted.” The queen thing is so over. And while we’re at it – replaying her line from last year that I hated then (“all hail the queen”--- Oscar is a boy! Duh!) really bugged me.

Best Jon Stewart Joke – There were some good ones – Helen Mirren, you got served. While we’re at commercial, we’re sitting around making catty remarks about what you’re wearing. Singing the song. That guy’s really arrogant. Tom Hanks has no right being here. Nice throw aways.

Worst Jon Stewart Joke – His stripper name is Olympia Dukakis. Thud.

Most Awkward Red Carpet Moment – Ryan Seacrest asking Jessica Alba if she plans to breast feed.

Most Awkward Red Carpet Moment (runner up) ­– Lisa Rinna asking Amy Adams about the first thing she did when she found out she was nominated. Despite Amy’s response that when she was nominated two years ago, she called her mom, Lisa didn’t catch on and kept asking her about her “nomination.” (she wasn’t nominated.). Oh Lisa!! Taking over for Joan in more ways than one!

That’s it from me. Since I stayed up late last night I don’t have the energy to comment on Regis’ fascination with regular folks, Giuliana Ransic’s orange skin color, Kelly Preston’s spray on tan mishap or Harrison Ford’s earring. Maybe next time. What did you think of the show?

Comments (4)

I Love Jason Bateman in Juno.

Juno I liked Juno very very very much. I could have loved it if I didn't find that clever soundtrack a little too clever, and also if the first 15 minutes hadn't been so Napoleon Dynamite-ish in its unrealistic dialogue with Dwight Schrutte. But it won me over with amazing performances and a new take on the whole teen preganancy thing. Ellen Page was darling and realistic and sarcastic and likeable and believeable and all round wonderful. Michael Cera remains hilarious and realistic and awkwardly uncomfortable to watch in a good way. Allison Janney has done the impossible -- she got herself back into my good graces after years of West Wing preening. This performance (and those clothes) were just the pennance I would have ordered for her. The Closer Dude/dad of Juno was very surprisingly touching. And he has the best voice doesn't he?  And of course, Jennifer Garner was at first brittle and pretty standard, but eventually warm and sad and someone I could know.

But all these weeks after seeing the movie, its Jason Bateman I still remember the most. I guess it goes with the earlier post -- that I'm clearly getting old -- that the adoptive parents were the two I found most easy to identify with, not necessarily those crazy kids. But his man-boy who just Jason_batemanwants to play killer records and learn the guitar and live in a pad downtown and hang with the kids....I can get that. And he was so simultaneously cool and uncool while doing it. How does he do that? From the get go he was so the guy who's been dragged along on an adventure when he'd rather be anywhere else. His friendship with the teen was uncomfortable to watch because it was so realitic, but worrysome. I thought there was some kind of romantic notion between them, and so my reaction was the same as his when their little relationship fell apart and he realized that to her, he was just a weird old man. A cooler one than usual -- but an old one nonetheless. "How do you think of me?" was the saddest line ever uttered by a cute guy in a flannel shirt hanging out in his basement showing off his cool CD collection. And it makes me love Jason Bateman just a little bit more.

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I'm Officially Old

There is a great article in the year-end Entertainment Weekly issue where a columnist talks about how this was the year she became old. Her reasons included her inability to understand the worship of Perez Hilton (which I share, more on it later) by describing him as a "transparently narcissistic creature making hateful comments about people he doesn't know while utilizing crude Photoshop skills to draw bodily fluids on their pictures." (And you know, when she puts it that way.....) She had a simlar experience to MySpace as I did -- going through the motions to create a site only to wonder what the hell you are supposed to do with it now...and by they way, why are they all so ugly? She sites MTV and the VMAs (though to be fair, did even the kids buy into that "live performance in a suite" business?) and rage incited by the name "Kardashian" as other examples.

I concur with her and add a few more things to the mix that made me realize -- and honestly sort of embrace -- why I just don't get the damn kids anymore.

Superbad 1.  "Superbad." I hated Superbad. I can kind of see why the kids would like it, and the description of the themes (man-boys who talk a big talk from infancy but are no more advanced than we were at that age; the sorrow of saying goodbye to the friends you grew up with) seemed like they'd add some charm. But the movie didn't play them out. At all. Every time that fat kid opened his mouth I was disgusted by what was coming out of it. And I'm no shrinking violet. I just ask that if something is going to be crude, it also be funny. There was very little funny about Superbad. I saw someone compare it to Dazed and Confused -- and I am sorry, but no. This was not a charming tale of the last big night where you got an emotional glimpse at different archtypes etc. etc. This was more like Porky's but without any boobs. (Or were there boobs and I've blocked them out?) No matter. Boobs couldn't save this movie. Even Michael Cera, my favorite teenage boy since Justin Timberlake turned 20 way back in 2001, wasn't enough. He was a help, but he wasn't enough. And yes, the concept of McLovin is funny. But it's just a concept. I didn't need to see the movie for one second to get the joke. And while I'm ranting, I'm SO OVER Seth Rogan.

2. That Umbrella Song. I don't like it at all. I also don't like Akon or Chris Brown. And I despise that song about beautiful girls having me suicidal. Not just because of my oldie reaction that says -- dude, people do really get suicidal, is that a cute thing? -- but because of the Pee Wee Herman like voice of the kid singing it.

3. The Hills. I don't have your average reality hatred for Spencer and Heidi. You know -- like I hated the Donatos on Big Brother or Phie-Gee on Survivor or just about every woman ever on The Bachelor. Those hatreds are entertaining, are part of my tv life. They are just villains on a show that The_hills invade my life only when I watch it. But I hate these Hills creatures for real. I hate them and the world that has allowed them to exist so much that I don't even subscribe to Us Weekly anymore! I liked Laguna as much as the next person. And I sadly admit that the news of LC making out with Stephen Colleti makes me sort of happy in a "nice girls CAN win in the end" sort of way that should have been over years ago -- or at least after I started liking Kristin before The_hills_heidi_us_weekly hating her again. But the rest of this cast of characters, the drama with the fighting, the staged LA scene they live in, their fake "jobs" that are making dumb kids everywhere think that this is how the real world is, well all of it makes me angry in a way that makes me feel quite a part of a "different generation" than these kids who not only watch it but want to know more about it and buy their damn clothing lines. I actually wish I didn't know who they were at all -- making me realize how our older generation gets so clueless eventually. Sooner or later -- something, say, Heidi's upcoming recording career? -- makes you so angry you just have to tune out. I'm not sure what the event was that made my mom's view of pop culture freeze in time with Bob Dylan, or my Dad stop watching TV after The Andy Griffith Show. But I now understand how it can happen -- and how my kids will see me frozen in time making 90210 and OC references well into my golden years, simply because that's the time I choose to stick with and remember. It's sort of like mid-rise boot cut stretchy jeans. I don't give a shit how many skinny jeans they throw at me from here on out. I've found what I like and I'm sticking with it! And yes, it will become the mom jean of the next generation if we all do so, and guess what, I just don't care what the kids think, anyway.

Sorry for the anger. I guess I should post more often and get these things off my chest, no?

Comments (1)

Crap Movie Haiku

I was in the mood for some really bad movies this weekend. Or my Netflix queue and the On Demand movies available to me conspired to make that the only option. Here are some haiku reviews for you.

Deja Vu

I hate you Denzel.

But I watched this crap sci fi

Wannabe. Confused.

Approved

Ridiculous, its

True. But rousing end and star

Exceed prediction.

Beerfest

Couldn't even get

Ten minutes into this one.

Gives beer a bad name.

Date Movie

Few funny moments.

Is Meet the Parents satire

The best they could do?

Comments (1)

I Think Knocked Up Sucks Big Time

Knocked_up I am sorry, American critics and moviegoers. We seem to have a major disagreement. See, I went to "Knocked Up" expecting hilarity and heart. Instead I got one of the first movies I wanted to walk out of in a really long time. It wasn't offensive. Even worse, it was frickin' BORING. But more specficially, here are five reasons I really hated "Knocked Up."

1.  Bickering is not fun to watch.  Remember the worst parts of "The Break Up"? Where, sure it's realistic couple fighting, but who wants to pay to watch that for five minutes instead of just going home and not doing the dishes themselves? "Knocked Up" is a lot like that. The guy is a prototypical moron. She's totally shrill. (Much like Izzy.) Watching them yell at each other constantly is boring and annoying. Even if they are yelling hilarious things like "go fuck your bong." And when the two main people aren't yelling, the sub-couple sister/husband are doing the bickering. It's quite defeating.

2.  It is not funny. This possibly should be number one, but the annoying and shrill-ness of it is what made me almost leave, not the lack of funny. The lack of funny is what perplexes me about the great things I've heard from so many people. I'll chalk some of it up to not having any kids. But really, is the search for a good gynecologist really ever going to be that funny to me? And yes, even I know it's likely that your actual doctor won't deliver your baby. I guess I just don't think that fact, in and of itself, warrants hours of "ha ha" social commentary. There were two somewhat amusing supporting characters -- and this is a real stretch: Marshall from "How I Met Your Mother" had some funny line deliveries. And the Target girl from SNL, doing the same thing she always does, made me smirk, if not smile. But overall, I didn't find this funny at all. From the weird pink eye and mushrooms moments to the old lady needing to get into a club, just nothing amusing about it.

3. His friends. First off, the whole idea of their web site isn't funny. It's an obvious excuse to use the words bush and boobs as many times as they can. And the pot-headedness of them, also not funny. But more, it seems totally outdated. Like these are 20-something slackers the way a 30-something slacker would write them. Even the web site idea is quaint. Is that really what young slackers are out there doing now? This kind of web site? Or am I missing the great joke -- that they are stuck in '99? If so, it's not funny. Sorry. And their big running joke about the guy with the beard? Not funny.

4.  The plot. Being a hot on-air personality who gets knocked up by a loser does have some comic potential. We just never see it. The girl cries once and then complains about her body before getting a crib. Fascinating. No baby shower with people saying funny things, or co-workers speculating on the daddy situation, or even a bad parent reaction. No, pretty much smooth sailing. Pretty much it says that the only complicated thing about getting knocked up by a loser/stranger is getting that stranger to get his own apartment before the baby comes! Don't even get me started on that.

5.  God, it's depressing. This movie has a very negative and depressing outlook on love, monogamy and family. I love Paul Rudd, and I don't blame him, he did a great job playing the married guy who was so looking for alone time he kept lying to his wife so he could go to movies or a fantasy baseball draft. But if he's every man, the outlook is pretty bad. After he gets kicked out of the house, he makes his way back because, hey, isn't that the way it's supposed to be? And the main couple -- the romance in this romantic comedy -- didn't belong together at all. They had nothing in common. Near as I can tell, she was only with him because he knocked her up and she was desperate. She never actually liked him. He seemed to like her hot-ness. For some reason I find it sad.

So those are the main five. I'll accept it's a "comedy" so won't nitpick on all the ridiculous details that would NEVER happen -- pretending not to be pregnant at your job and them being OK with that, asking the stranger who may have knocked up you to go with you to gynecology appointments, etc. And the missed comic opportunities are their problem, not mine. My bottom line is that high expectations may have played a role here -- but I think "Knocked Up" sucked and am sorry I wasted my time on it.

Comments (8)

Seriously Will

Will_farrell_stranger_than_fiction Big fan of Will Farrell. Talladega Nights was moronic, but still. Like him a lot. So watching “Stranger Than Fiction” I really wanted to think he was doing a great job. And I kinda think he did. I liked the movie very much at the end, but throughout just thought it was a little lifeless. I’m not sure if it was Will or if it is a poorly written character. But either way, he didn’t wow me in this. He was endearing, but not very interesting. And the movie overall didn’t wow me like Punch Drunk Love did (granted, Mark Forster is no PTA) or even (insert serious Jim Carrey movie that is not about numbers here). (And if you haven’t seen the Will Farrell/Pearl the Landlord video, it’s here.)

Comments (0)

Oscar Nominations

I am totally depressed that in years that I spent months and months following all of the pre-Oscar awards, keeping notebooks of every critics list and seeing every movie, I didn't do any better in my Oscar predictions than I did this year, when I rolled out of bed, realized they'd already happened so quickly jotted down a list before turning on the tv. Goes to show, the nominations have become so predictable you don't even have to be paying attention to figure it out. I have to say that the earlier awards and nominations is not great for surprises. So here are my comments:

Best Actress was a lock (Mirren, Streep, Dench, Winslett, Cruz). I'm hoping someone builds a little more buzz so that we don't know for a fact it's going to be Helen Mirren. It's also sad that we're relying on Kate Winslett and Penelope Cruz for our glamour factor, since this and the supporting actress category are both filled with oldies and no names. No offense, of course.

Best Actor (Dicaprio, Whittacre, Gosling, Smith, O'Toole) also was pretty easy to predict -- though for some reason I'm surprised that Will Smith is in there. Though he campaigned hard enough so I shouldn't be. I'm very happy that Ryan Gosling got nominated. He's such a babe, and I thought for sure when writing his name down on the predictions that he was my annual "hot guy without a real chance" shot in the dark. I thought Dicaprio would get nominated for the other movie, since The Departed was just a better film, but he was good in the Blood Diamond, too. It was just sort of ludicrous.

Supporting Actress - I'm excited about Abigail Breslin, she was the best part of Little Miss Sunshine. I hope Jennifer Hudson isn't a total lock on this one because I'd like the kid to have a chance. Having not seen Babel, those other two ladies mean nothing to me, but I've heard great things about Cate Blanchett in Notes on a Scandal.

Supporting Actor - Who would have thought that they'd balls up and not nominate Jack Nicholson for the Departed? And that instead they would nominate Mark Wahlberg? Love it. (Although how come Matt Damon never even had a shot? Maybe he was more of a lead but I think that he was solid in the movie.) Eddie Murphy can't possibly win an Oscar, and then star in that Norbit movie that I just saw the preview for. It would be far worse to the Oscar credibility than Marisa Tomei or Catherine Zeta Jones' T Mobile commercials every was.

As for Best Picture, I have only seen two of them! I'm a failure. Little Miss Sunshine and The Departed. So it looks like I've got some work to do with The Queen next on my list. And I'll see Letters from Iwo Jima. But I really don't feel like seeing Babel. After the Globes, I'm totally over Pitt and Jolie.

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Garden State Redux

Braff_d_2 I'll probably see the Last Kiss, and I already have the soundtrack (it's...fair), but I have to say that when I first saw the preview in the theater, i laughed out loud because it seemed like a parody of Garden State. Like if you wanted to make fun of garden state by taking all the elements of that movie and multiply them by 10.  You know -- sappy emo music with a swelling score, introspective dialogue, a Braff voice over trying to figure out the meaning of life. At least he's found his niche, and after so few movies. This guy noticed the same thing and articulated it way better than I did.

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